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R. A. Mitchell

Photography

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Palerme

"Palerme" (boy with wheel) by Henri Cartier-Bresson, 1971/1972.  Trying to respect copyrights and all, I found this digital copy here on the internet.

This is a simple one.  I have loved the photograph above since I first saw it about 11 years ago.  Why?  Mostly, because I stop when I see it.  The main elements draw me in.  I think about the boys joyfully pushing this wheel with a stick up one side of the street.  And the hearse parked across the street and headed back in the direction from which the boys came.  It gets me thinking about the beauty and cyclical nature of human life.  For starters.  But it also can get me thinking about Cartier-Bresson's "decisive moment" and the satisfaction one can find in doing candid photography.

Sunday 11.13.16
Posted by R.A. Mitchell
 

Ready for Takeoff

This photo taken June 18, 2016 at the Huntington Beach Dog Beach.  Included in the Surf City, U.S.A. project on this website.

If there is a pup running in an image I've captured and he or she has all fours off the ground, it's a winner for me.  In the photo above, I love the poodle in the upper right with ear leathers in full extension as if to enhance the force of lift.  I also really like the look on the senior yellow Lab's face as he's watching the Shepherd-mix who had been digging that hole for quite some time and wasn't giving any hints of finishing before "reaching China."  Yeller seems to be saying, "...why are you doing that?"  That was back four months ago in June.

Growing up in Southern California, I didn't really know what Indian Summer was about.  And so, I'd imagine that we were having our version of Indian Summer on warmish autumn days when the skies were so clear that you could start to see the rocky edges of Catalina Island and you knew that it would cool off after sunset so that you'd need a hoodie.  We've been having the Southern California version of Indian Summer here in the last third of October this year.  And I unashamedly enjoy taking sunset photos when these are the conditions.  Lots of them.  I had a dozen or so that I liked that looked over the dog beach toward Long Beach.  In editing down to the favorite below, I went for the one that had the pup running parallel to the picture plane with all fours off the ground, even if one has to look really close to see it.

My editorial skills are very scientific.

This photo taken October 20, 2016.  Looking from the cliffs over the Huntington Beach Dog Beach toward Long Beach.  Also included in the Surf City, U.S.A. project on this website.

Saturday 10.22.16
Posted by R.A. Mitchell
 

Companion for Sunset

I figured this fella and I were about to the same stage in our respective life cycles.  When I showed this photo to my nephew, he said that he had seen "the old guy" on the beaches and at the surf camp where we're lodging.  Youthful mis-judgements aside, this yellow sweetheart came up and sat in front of me as I drank a beer, a Tona, and watched the surfers at sunset at the Miramar Surf Camp in Nicaragua.

 

Friday 09.23.16
Posted by R.A. Mitchell
 

Curiosity

Heeding advice that if I don't know exactly what my one specific passion is into which I should pour my heart and soul, then, rather than spin to no avail it may be best to zealously follow my curiosity.  And so I do this with what looks a lot like passion.  This morning while eating breakfast at the Miramar Surf Camp in Nicaragua, I was hounded by a feisty little kitten to "please feed the starving kittens of Nicaragua."  I've owned cats and I don't dislike them, but I have decidedly taken to dogs over the last couple of decades.  The great universal debates aside, I loved the spunk, feistiness and confidence of this kit of a gray tabby that I named Pedro.  And I remember asking myself, where does Pedro nap to store up this energy?  I was sure that he had some cool spots back in the oceanfront jungle to rejuvenate himself.  Later in the morning, I took a break from working to get a cup of coffee.  So much for cool jungle floors to sleep on.

Where my begging friend, Pedro, takes his naps at the Miramar Surf Camp in Nicaragua.

Thursday 09.22.16
Posted by R.A. Mitchell
 

Burning Man - Creative Quest

"It is like the greatest museum ever..." -- From the video above, from Executive Director, Tomas McCabe, Black Rock Arts Foundation.

 

What is Burning Man?
By Molly Steenson

Hurtling down the road to the Black Rock Desert, the colors paint themselves like a spice cabinet — sage, dust, slate gray. Maybe you're in your trusty car, the one that takes you to and from work every day. Perhaps you've got a spacious RV, your Motel 6 on wheels for the next days in the desert. Or you're driving your glittering art car, complete with poker chips and mirroring to do a disco ball proud.

The two-lane highway turns off onto a new road. You drive slowly onto the playa, the 400 square mile expanse known as the Black Rock Desert. And there you've touched the terrain of what feels like another planet. You're at the end — and the beginning — of your journey to Burning Man.

You belong here and you participate. You're not the weirdest kid in the classroom — there's always somebody there who's thought up something you never even considered. You're there to breathe art. Imagine an ice sculpture emitting glacial music — in the desert. Imagine the man, greeting you, neon and benevolence, watching over the community. You're here to build a community that needs you and relies on you.

You're here to survive. What happens to your brain and body when exposed to 107 degree heat, moisture wicking off your body and dehydrating you within minutes? You know and watch yourself. You drink water constantly and piss clear. You'll want to reconsider drinking that alcohol (or taking those other substances) you brought with you — the mind-altering experience of Burning Man is its own drug. You slather yourself in sunblock before the sun's rays turn up full blast. You bring enough food, water, and shelter because the elements of the new planet are harsh, and you will find no vending.

You're here to create. Since nobody at Burning Man is a spectator, you're here to build your own new world. You've built an egg for shelter, a suit made of light sticks, a car that looks like a shark's fin. You've covered yourself in silver, you're wearing a straw hat and a string of pearls, or maybe a skirt for the first time. You're broadcasting Radio Free Burning Man — or another radio station.

You're here to experience. Ride your bike in the expanse of nothingness with your eyes closed. Meet the theme camp — enjoy Irrational Geographic, relax at Bianca's Smut Shack and eat a grilled cheese sandwich. Find your love and understand each other as you walk slowly under a parasol. Wander under the veils of dust at night on the playa.

You're here to celebrate. On Saturday night, we'll burn the Man. As the procession starts, the circle forms, and the man ignites, you experience something personal, something new to yourself, something you've never felt before. It's an epiphany, it's primal, it's newborn. And it's completely individual.

You'll leave as you came. When you depart from Burning Man, you leave no trace. Everything you built, you dismantle. The waste you make and the objects you consume leave with you. Volunteers will stay for weeks to return the Black Rock Desert to its pristine condition.

But you'll take the world you built with you. When you drive back down the dusty roads toward home, you slowly reintegrate to the world you came from. You feel in tune with the other dust-covered vehicles that shared the same community. Over time, vivid images still dance in your brain, floating back to you when the weather changes. The Burning Man community, whether your friends, your new acquaintances, or the Burning Man project, embraces you. At the end, though your journey to and from Burning Man are finished, you embark on a different journey — forever.

(Molly Steenson's essay found at this link on the web.)

 

Wednesday 06.25.14
Posted by R.A. Mitchell
 

Documentary Evidence: Alaskan Glaciers

Muir Glacier & Inlet, 1895, Muir Inlet in Alaska's Glacier Bay National Park & Preserve.

Muir Inlet, 2005, Potographed by Bruce Molnia, Muir Inlet in Alaska's Glacier Bay National Park & Preserve.

"Photography is more than a medium for factual communication of ideas.  It is a creative art."  Ansel Adams, Camera and Lens: The Creative Approach by Ansel Adams, 1970.

We are thankful for Ansel Adams's expressive images of nature.  With less in the way of  artistic intents, Bruce Molnia is another who has photographed in Alaska more recently with the mission to document the decline of the glaciers via climate change.  This article in SnowAddiction.org is an excellent example of some terrific and precise documentary work by Molnia.  (The photographs above provide just one example of the many old-new juxtapositions found in this article.)

Tuesday 06.17.14
Posted by R.A. Mitchell
 
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